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1967 IN THE HEAT OF THE NIGHT SCRIPT / CONTINUITY w/ RELATED NORMAN JEWISON TLS

$ 580.79

Availability: 100 in stock
  • Refund will be given as: Money Back
  • Item must be returned within: 30 Days
  • Country/Region of Manufacture: United States
  • Restocking Fee: No
  • Signed: Yes
  • Industry: Movies
  • All returns accepted: Returns Accepted
  • Return shipping will be paid by: Seller
  • Original/Reproduction: Original

    Description

    ORIGINAL COMBINED CONTINUITY SCRIPT / SCREENPLAY of IN THE HEAT OF THE NIGHT, the 1967 FILM Directed by NORMAN JEWISON and Starring ROD STEIGER and SIDNEY POITIER.
    This Combined Continuity (each scene is described in full detail "combining" camera shots, camera angles, dialogue, actions, etc.) is dated June 12th, 1967. At the end of the last page is the statement: "Continuity taken from work picture (a working print) & mag track (magnetic sound track) by Laura Rosser's Film Continuity Service, P.O. Box 1603, Hollywood 28, California, Phone: NO 1-16115".
    The film was produced by The Mirisch Corporation and Released by United Artists on August 2, 1967.
    Continuities (Continuity Scripts) were an important part of the film industry in its earlier days. They were typically created after a film was “in the can”, but before it was released, in order to create a written “copy” of the film. A good “Continuity”, especially a "Combined Continuity", provided a comprehensive written transcription of the finished film, something that could obviously not be known until a film was completed. Continuities were created both for copyright protection and for a “record” of a film. Many early films easily degenerated, and many others were wiped out to recover their silver. A true continuity script was therefore often the only archived, word-by-word, shot-by-shot, scene-by-scene, record of many films.
    Mimeographed sheets, yellow front cover, 8.5x14", mimeographed on one side only, 98 pages plus the cover page. Two hole punched at the top and bound by a metal bracket. The entire continuity / screenplay is laid-in a legal size manila folder. This was done quite some time ago because the metal bracket has rusted somewhat and has left its rust imprint on both the front and rear covers of the manila folder. The manila folder has a typed title on its tab: "IN THE HEAT OF THE NIGHT". This script was clearly filed away, perhaps in a legal department, perhaps in the Studio's files.
    LAID-IN the manila folder, on top of the Continuity / Screenplay, is a TYPED SIGNED LETTER by NORMAN JEWISON. The letter is on NORMAN JEWISON'S PERSONAL STATIONERY.
    The letter is addressed to PHILLIP LAMBRO, a Composer of Film Scores.
    The letter is dated APRIL 24, 1968, only 14 days after the April 10, 1968, 40th ACADEMY AWARDS that presented Oscars to films released in 1967. IN THE HEAT OF THE NIGHT won MULTIPLE OSCARS at the 40th Academy Awards, including BEST PICTURE (and, perhaps of interest to Phillip Lambro, BEST SOUND). Norman Jewison's letter to Phillip Lambro clearly refers to the film's success at the Academy Awards. The letter reads:
    "Dear Phillip: / Thank you for your thoughtful letter. It was muchly appreciated. / It was a very exciting and rewarding night for our picture, and I thank you again for caring. / Yours, / Norman (signed)".
    (Phillip Lambro is a composer, best known for his FILM SCORES and percussion oriented music. Lambro wrote the original score to Polanski’s film Chinatown, but after the film previewed poorly Paramount, decided to remove his score entirely and hired Jerry Goldsmith to rapidly, in only 10 days, write a replacement score. After the film was “in the can” the studio decided it liked the exploitable nature of Lambro’s score and wanted to use it in the film’s trailers. Lambro said he would agree to allow Paramount to use his music in Chinatown’s trailers if Paramount would agree to allow him to retain the rights to his musical score and eventually release it as an album. Paramount agreed, provided any album that might be released not include the film’s title. It was not until 2012 that the Lambro Chinatown score was finally released. It was released under the title: “LOS ANGELES 1937 - An Unused Score of a Film by Roman Polanski”.)
    Condition: The cover / title page is mostly torn away from the metal bracket at the top, and is worn along its edges with small closed tears; the last few pages are worn along their bottom edge; otherwise a bright, clean copy that clearly has been safely filed away. The laid-in TLS letter has folds from where it was probably folded to fit into an envelope (envelope is not present), and has some general creases from handling, but remains sturdy, bright and clear.
    One of the 20th Centuries Great Films, with an Associated Letter from the Film's Director. Scarce.
    About IN THE HEAT OF THE NIGHT (from Wikipedia):
    ******In the Heat of the Night is a 1967 American mystery drama film directed by Norman Jewison. It tells the story of Virgil Tibbs, a black police detective from Philadelphia, who becomes involved in a murder investigation in a small town in Mississippi. It stars Sidney Poitier, Rod Steiger, and Warren Oates, and was produced by Walter Mirisch. The screenplay was by Stirling Silliphant. The film won five Academy Awards, including the 1967 award for Best Picture.******
    About the 40th Academy Awards (from Wikipedia):
    ******The 40th Academy Awards honored film achievements of 1967. Originally scheduled for April 8, 1968, the awards were postponed for two days until April 10, 1968, because of the assassination of Dr. Martin Luther King, Jr. The Best Picture nominees were an eclectic group of films that included Bonnie and Clyde, The Graduate, Guess Who's Coming to Dinner, and In the Heat of the Night. The big winner was producer Walter Mirisch and director Norman Jewison's IN THE HEAT OF THE NIGHT with FIVE OSCARS for Best Picture, Best Actor, Best Screenplay, Best Film Editing, and Best Sound).******
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